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Reverse King 3 by Vox Samples, the reverse effect plugin with 3 reverse engines and a 24-effect rack, pictured as a pale-grey desktop unit with its timeline screen, orange length knob, three engine panels and the rack.

Reverse King 3Reverse effect · 3 reverse engines · 24-effect rack

The only reverse plugin you'll ever need, for swells and transitions that make every drop land.

Reverse reverb that swells into the note, backwards echoes and reversed risers, played live and locked to your tempo.

$57.38 AUD~~通常価格 $459.12 AUD~~87% off

Use it on 5 computers per copy
Lifetime updates
90-day money-back guarantee
Download link in minutes
VST3, AU and AAX, Windows and macOS
Try it free

Formats and DAWs

Windows 10 and 11 (64-bit): VST3 and AAX
macOS 11 or later: VST3, AU and AAX
Works in any 64-bit DAW that loads VST3, AU or AAX plug-ins.

Licence

Use it on up to five of your own computers per copy you buy. Yours for good, no subscription. Unlock it with your email and a six-digit code, no dongle and no password. It checks in now and then and works offline in between.

Delivery

Download links by email within about five minutes, and always in your account under Downloads.

3reverse engines

24rack effects

8 scapture

0 msin Live mode

Why Reverse King 3

01

Transitions that sound produced

Reverse swells, reversed cymbals and suck-ups that lead into the hit. The drop arrives like it was planned.

02

Swells that land on time

Locked mode lines the reversed swell up on or before the note that made it. Live mode plays at zero latency for tracking and performing.

03

Every reverse trick, one plugin

A reversed buffer, a reverse tape echo and a reverse hall at once, with a 24-effect rack that moves across every window. No more bouncing, flipping and dragging audio by hand.

Reverse King 3 tilted and floating in a black space, rim-lit, with an orange glow spilling from underneath

Swell into every hit

Reverse reverb puts the swell in front of the note, not after it.

VST3 · AU · AAX
Windows and macOS
MIDI
5 computers per copy

The reverse machine

The only reverse plugin you'll ever need: swells and transitions that make every drop land.

Reverse swells usually mean bouncing audio, flipping it and dragging it into place by hand, again every time the arrangement changes. Reverse King 3 does it live, on your tempo: reverse reverb that swells into the note, backwards echoes and reversed risers, as the track plays.

Transitions that sound produced. Reverse swells, reversed cymbals and suck-ups that lead into the hit.
Swells that land on time. Locked mode lines the swell up on or before the note that made it; Live mode plays at zero latency.
Every reverse trick, one plugin. Three reverse engines at once, with a 24-effect rack that moves across every window.

Everything inside

3 reverse engines on one clock, each at its own level: a reversed buffer, a reverse tape echo and a reverse hall.
length sets the window and refresh how often a new one is taken: from 5 ms to 8 s, or synced from 1/128 triplet to 2 bars.
Triggered on the grid, on transients, by MIDI notes or the fire key, with FREEZE; daw sync locks it to your host's bars.
A 24-effect rack in seven families (envelope, filter, drive, lo-fi, modulation, space and dynamics), always on the panel, whose knobs can sweep across each window.
Live mode at zero latency, or Locked so the swell lands on or before its source.
Sidechain capture, locked to your host's bars or free-running; mix, input, duck and output.
ANALOG UNIT 1, 2 and 3 with LINK: three characters to suit the track.
250 presets; A/B, 64-step undo, tooltips and MIDI Learn.

Formats: VST3 and AAX on Windows 10/11 64-bit; VST3, AU and AAX on macOS 11 or later. Licence: five of your own computers per copy you buy, unlocked with your email and a code.

90-day money-back guarantee: not for you? Request a refund from your account within 90 days.

All 3 engines and 24 rack effects

Each one pictured, each with a job. Pick one and its picture fills the module screen.

3

Reverse engines

One window, three ways to play it backwards, each at its own level. Each engine’s key carries its picture.

BUFFER
Reverse playback engine
Plays each window backwards, filled with silence, ping-pong or a repeat.
DELAY
Reverse tape echo
A tape echo on the reversed sound: time, feedback, damping and ping-pong.
REVERB
Reverse vintage digital hall
A hall that swells into the note instead of trailing after it.

24

Rack effects

Seven families, always on the panel. Pick one and the module screen shows its picture; its knobs can sweep across every window.

GATE
Drum gate
Shuts off the reversed sound below a threshold, with its own filter and release.
PUMP
Vintage opto leveler
Clamps each hit and swells back between them.
FADE
Fade
Sets the volume and, with a sweep, fades it across the window.
LOPASS
Resonant low-pass
Frequency, q and slope, the frequency free to sweep across every window.
HIPASS
Resonant high-pass
Frequency, q and slope, the frequency free to sweep across every window.
TELEPHONE
Telephone band
Squeezes the sound down to 300 Hz to 3.4 kHz, with a peak you set.
SATURATION
Twin-stage tube saturation
Warm drive, with as many harmonics as you want.
DISTORTION
Analog-style distortion curves
Drive through the curve you pick.
EXCITER
70s harmonic exciter
Top-end bite for the swell: pick the area, set the amount.
BITCRUSHER
Early-digital bit crusher
Fewer bits, more grit.
LOFI
Late-80s 12-bit sampler
Lowers the sample rate and bit depth together.
VINYL
Surface dust and crackle
Crackle under the reversed sound, as much as you like.
VIBRATO
Tape-warble vibrato
A warble in the pitch, at the speed and depth you set.
TREMOLO
Rhythmic tremolo chopper
Chops the level in rhythm.
TAPESIM
Vintage 15 ips tape machine
Tape tone, with wow and flutter.
CHORUS
70s ensemble chorus
Thick and wide, with range and speed.
FLANGER
Classic flanger
A sweeping comb-filter swirl, with depth, rate and feedback.
PHASER
Six-stage phaser
A sweeping phase shift, with depth and rate.
DEESSER
Smooth de-esser
Tames reversed esses.
DELAY
Tape echo
Echoes after the swell, from about 71 ms to 1.84 s.
REVERB
Vintage digital concert hall
A hall around the reversed sound: decay, pre-delay and diffusion.
SPREAD
Stereo widener
Widens the stereo image.
COMPRESSOR
Clean digital compressor
Holds the swell together.
LIMITER
Three-band mid/side mastering maximiser
Loud and even, with the peaks held.

Reverse King 3 from the front right, just above the desk: its thick rounded chassis and stepped plates, with the orange, green, blue and white knob caps standing up along the face

One clock

Three engines

Reversed buffer, reverse delay and reverse reverb share one window, each at its own level. Length sets the window; refresh, how often a new one is taken.

What Reverse King 3 does

Every control is there to put the swell exactly where you want it.

A low, raking view along the engine row from the left: the green delay key with its tape-echo picture in focus, the blue buffer key and knob in front and the white reverb group out of focus

3 reverse engines

Three ways backwards, all at once

The buffer plays each window backwards. The reverse tape echo sends back repeats that darken as they go. The reverse vintage digital hall puts a swell in front of the note instead of a tail after it. Each has its own level fader.

The main panel close up from the front right: the orange length knob reading 1/8 d at 375 ms, the refresh knob and its “every window” screen, and the mix knob

length and refresh

From long swells to tight stutters

length sets how much is reversed at a time, 5 ms to 8 s or 1/128 triplet to 2 bars. refresh sets how often a new buffer is taken, so a reversed slice can repeat on every beat.

The clock from overhead: the large freeze key with its snowflake, the fire key with its play arrow, the daw sync switch set to on and the latency screen reading live, 0 smp

Triggers, fire and freeze

Fire it your way

Start windows on the grid, on each hit in the audio, or on MIDI notes. The fire key starts one now. freeze holds the window you're hearing and keeps playing it.

The FX rack from the front: its named keys with their icons and values in family rows, gate selected, and the module screen reading gate beside its picture of a dual rack noise gate

The 24-effect rack

Effects that move with every swell

Gate, pump, fade, filters, telephone, tube saturation, distortion, exciter, crushers, dust, vibrato, tremolo, tape, chorus, flanger, phaser, de-esser, echo, hall, widener, compressor and a mastering maximiser, in seven families.

The timeline screen

See every window

The dry signal above, the reversed output below, the seams marked. The length in large figures, sync or free, live or locked, and what the plugin reports to your DAW.

Reverse King 3 straight down, its one page with every control: the header with the preset default, the timeline showing 1/8 d beside the meters, analog unit 1 and link off, the clock with freeze, fire and daw sync, the refresh, length and mix knobs, the buffer, delay and reverb groups with their picture keys and detail rows, and the rack of 24 named keys with gate selected and its picture of a dual rack noise gate on the module screen

250 presets

Start from a finished transition

Twelve categories: Essentials, Vocal Swells, Risers & Cymbals, Backwards Echoes, Rhythmic Reverse, Stutter & Glitch, Drums & Hits, Guitars & Keys, Lo-Fi & Character, Frozen Pads & Drones, Textures & FX and Subtle & Mix-Ready.

Three analog units

Pick the character that suits the track

Choose the character, not just the settings. Three analog units: the same circuit, voiced like three boxes off the same bench. Switch between 1, 2 and 3 and keep the one that sits best in the mix. link keeps left and right identical, or lets the two channels differ slightly, like a real stereo unit. The unit you pick is saved with your session.

align: Live and Locked

Swells that land on the beat

Locked delays the dry and tells your DAW, so the reversed attack lands on or before its source. Live reports zero latency, so you can record and perform through it.

daw sync

Locked to your session's bars

By default it follows your DAW's transport and lines every window up with the bars. Switch it off and it runs on its own, so you can play into it with the transport stopped.

Sweeps

A filter that opens into every attack

Hold Alt and drag a rack knob to set where it sweeps to across each window, or let it follow the input's level. A reversed swell can start dark and open up as it reaches its hit.

Sidechain capture

Reverse one sound under another

Capture from your DAW's sidechain input and reverse a snare under a pad or a vocal under a synth, while the track you hear stays dry.

A/B, undo, redo and MIDI Learn

Take complete control of your workflow

A and B keep two complete settings, saved with your session. 128 steps of undo and redo. Right-click any knob, fader or switch to map it to your MIDI controller, channel by channel.

Inside the plugin

The real device, straight from Reverse King 3. Flip through the rack.

The whole Reverse King 3 panel, one page with every control: the timeline at 1/8 d, the analog unit and link selectors beside it, the clock with freeze, fire and daw sync, the refresh, length and mix panel, the buffer, delay and reverb groups with their picture keys and detail rows, and the FX rack with gate selected and its picture of a dual rack noise gate

gate

Drum gate: shuts off the reversed sound below a threshold, with its own filter and release.

Every feature

Everything in Reverse King 3, down to the smallest switch.

67 features

Analog units

analog unit 1, 2, 3
Three boxes off the same bench: pick the one that suits the track
link
Left and right identical, or slightly apart, like a real stereo unit

The clock

length
Reverse 5 ms to 8 s, or up to 2 bars
refresh
Repeat a reversed slice for stutters on the beat
sync switches
Tempo divisions or milliseconds, for length and refresh
Grid trigger
A new window on every beat division
Transient trigger
A new window on every hit
sens
Choose how small a hit counts
MIDI trigger
Play the reverse from your keyboard
fire
Start a window right now, by hand
freeze
Hold the window and keep playing it
daw sync
Windows lined up with your session's bars
align: Live
Zero latency for tracking and performance
align: Locked
Reversed attacks land on or before their source
Sidechain capture
Reverse one sound under another
8-second capture
Room for long swells and two-bar windows

Workflow and control

Undo and redo
128 steps back and forward, or press Ctrl+Z
A/B compare
Two complete settings, switch in one click
A>B
Copy A to B and try changes safely
A/B saved with your session
Both settings are there when you reopen the project
MIDI Learn
Take complete control of your workflow
Channel-aware mapping
Two controllers can use the same CC
Forget and clear mappings
Unmap one control, or start fresh
Host automation
Automate 292 controls, sweeps included
One page
Every control in view, nothing in pop-ups
Timeline screen
See dry and reversed, window by window
Latency screen
Always know what your DAW is compensating
Glass readouts
Length in both notes and milliseconds
Tooltips on every control
Hover any control to see what it does and its range
In and out meters
Levels in and out, at a glance
mix, in, out
Blend and trim the whole effect
Help key
The full manual, one click away

Presets

250 factory presets
Finished swells, risers, echoes, stutters and pads
12 categories
Find the sound by job, fast
Previous and next arrows
Audition presets one click at a time
Save and load your own
Keep your settings as preset files
Shareable preset files
Copy presets to another computer or collaborator
Reset to default
Back to a clean start in one click

Performance

Zero latency in Live mode
Record and perform through it
No dropped samples
Tempo and length changes never glitch the audio
Crossfaded seams
Joins never click or fall silent
Same sound at every rate
The reverbs decay alike at 44.1, 48 or 96 kHz
Mono or stereo
Works on any track, with optional sidechain
Resizable window
Drag the corner, or pick 75 to 200%

Licence and compatibility

VST3 and AAX, Windows 10 and 11
Loads in any 64-bit Windows DAW with VST3 or AAX
VST3, AU and AAX, macOS 11 or later
Loads in any Mac DAW with VST3, AU or AAX
MIDI input
Trigger windows and map controls from any controller
5 computers per copy
Studio, laptop and more on one licence
Email and code unlock
No dongle, no password, no extra app
Works offline
No internet needed between check-ins
Lifetime updates
Every future update included

How Reverse King 3 compares

One plugin in place of bouncing, flipping and nudging audio by hand.

How Reverse King 3 compares
	Reverse King 3	Typical reverse plugins
Reverse engines	Buffer, reverse echo and reverse hall, all at once	One reverse effect
Swell timing	Locked mode lands the swell on or before its note	Nudge audio by hand
Playing live	Zero latency in Live mode	Often a fixed delay
What starts a window	Grid, hits, MIDI notes or the fire key	Grid only
Repeating slices	refresh repeats a slice for stutters	Rarely offered
Effects	24-effect rack, sweeping across every window	A few, or none
Sidechain	Reverse one sound under another	Rarely offered
Window length	5 ms to 8 s, or 1/128 triplet to 2 bars	A few fixed lengths
Undo	128 steps of undo and redo	Often missing
Try-and-compare	A/B and A>B, saved with your session	Often missing
Help in the plugin	A tooltip on every control	Check the manual
Hardware control	MIDI Learn on every control	Often missing
Presets	250 in 12 categories	A short list
Licence and updates	5 computers per copy, lifetime updates	Often fewer activations, paid upgrades

"Typical" describes what we commonly see in this category; it does not describe any particular product. Reverse King 3 facts are from the plugin and its manual, October 2026.

What you get

Vox Samples

Black Friday drop · 07 OCT 2026

Reverse King 3, full version~~$459.12 AUD~~

VST3 and AAX plugin for Windows 10 and 11 (64-bit), and VST3, AU and AAX for macOS 11 or laterIncluded

3 reverse engines on one clock, and a 24-effect rack with sweeps, each effect picturedIncluded

250 factory presets in 12 categoriesIncluded

A/B compare, undo and redo (128 steps) and MIDI Learn on every controlIncluded

A licence for 5 of your own computers per copy you buy, yours for good, no subscriptionIncluded

Lifetime updates and upgradesIncluded

Platinum priority supportIncluded

The full online manual, one click from the plugin's help keyIncluded

90-day money-back guaranteeIncluded

Value~~$459.12 AUD~~

You save$401.74 AUD

Total$57.38 AUD

90-day money back · Thank you

Specs and system requirements

Formats: VST3 and AAX on Windows; VST3, AU and AAX on macOS
Operating system: Windows 10 and 11, 64-bit; macOS 11 or later
Host: Any 64-bit DAW that loads VST3, AU or AAX plug-ins
Channels: Mono or stereo in and out, and an optional mono or stereo sidechain
Sample rates: Whatever your session runs at
Latency: Live: 0 samples. Locked: two windows (750 ms at the default 1/8 dotted and 120 BPM), plus the rack maximiser's 4,220 samples while it runs
Window: 5 ms to 8 s, or 1/128 triplet to 2 bars at your tempo
Refresh: Every window, or 5 ms to 8 s, or 1/128 triplet to 2 bars
Capture: 8 seconds (4 seconds at 176.4 and 192 kHz)
Transport: Follows your DAW's transport and bars, or runs on its own
Rack: 24 effects in 7 families, most with sweeps
Factory presets: 250, in 12 categories
Controls: 292, every one automatable, sweeps included
Undo: 128 steps
Preset files: .rvk3, shareable
Window size: 1000 × 962 at 100%; 75% to 200%
MIDI: MIDI Learn, and note triggers with trigger on midi
Licence: 5 computers per copy you buy. Unlock with your email and a 6-digit code. Checks in now and then and works offline in between (up to 14 days)
Internet: Needed once to unlock, then for the occasional check-in

90Day money-back guarantee

Our guarantee

90-day money-back guarantee
Not for you? Email contact@voxsamples.com within 90 days for a full refund.
5 computers per copy
Use it on up to five of your own computers per copy you buy, and move it yourself from the plugin's Licence menu.
Lifetime updates
Every future update and upgrade of Reverse King 3, included.
Platinum priority support
A real person at contact@voxsamples.com, first in line.

Questions

Will the swell land in time?

Set align to Locked and your DAW lines the reversed swell up to land on or before its source. The Vocal Swells presets are set up this way. Live runs at zero latency for playing in.

Can I record or perform through it?

Yes, in Live mode, which adds no latency. The reversed sound arrives a window or two after what caused it: to play a second of audio backwards, the plugin has to hear that second first.

Does my DAW need to be playing?

By default it follows your DAW's transport and bars. Switch daw sync off and it runs on its own, so you can play into it with the transport stopped.

Is it hard to set up?

No. Load one of 250 presets in twelve categories, from Vocal Swells and Risers & Cymbals to Stutter & Glitch, then turn length. Every control is on one page.

Can I reverse one sound under another?

Yes. Set capture to side and it reverses your DAW's sidechain input, while the track you hear stays dry. Your DAW needs to route a sidechain to it.

Does it work in my DAW?

Any 64-bit DAW that loads VST3, AU or AAX plug-ins, on Windows 10 and 11 or macOS 11 and later. The installer puts each format where your DAW looks for it.

How many computers, and does it need the internet?

Up to five of your own for each copy you buy. It needs the internet once, to unlock with the code we email you; after that it checks in now and then and works offline in between. To move it, choose Licence > Deactivate this computer on the old one.

What if it's not for me?

Email contact@voxsamples.com within 90 days for a full refund.

Founder's Story

"When COVID hit, I finally had time to dive into music production—only to discover I was missing the right tools. The plugins I tried were clunky, overloaded with unnecessary features, and killed my vibe with endless tweaking. I knew there had to be a better way.

So, with my engineering background, I started making free and simple audio plugins for my producer friends. They loved them! That’s when I set out on a mission to create plugins that save you time, streamline your workflow, and keep your creativity flowing."

- Ryan Svensson (Founder & CEO)

Last call

Make every drop arrive like it was planned.

The only reverse plugin you'll need: swells, risers and backwards echoes, on your beat.

Reverse King 3 as a light-grey hardware device, three-quarter view from the front left and above: the wide black timeline screen along the top with the analog unit and link selectors beside it, the big orange length knob between two dark knobs, the blue, green and white engine groups with their tall keys each carrying a small picture, and the two-row FX rack with its module screen at the front

$57.38 AUD~~通常価格 $459.12 AUD~~87% off

90-day money back
Five computers
Lifetime updates

Pairs with

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$57.38 AUD~~通常価格 $459.12 AUD~~87% off

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Reverse King 3Reverse effect · 3 reverse engines · 24-effect rack

The only reverse plugin you'll ever need, for swells and transitions that make every drop land.

Why Reverse King 3

Transitions that sound produced

Swells that land on time

Every reverse trick, one plugin

Swell into every hit

The reverse machine

All 3 engines and 24 rack effects

Reverse engines

BUFFER

DELAY

REVERB

Rack effects

GATE

PUMP

FADE

LOPASS

HIPASS

TELEPHONE

SATURATION

DISTORTION

EXCITER

BITCRUSHER

LOFI

VINYL

VIBRATO

TREMOLO

TAPESIM

CHORUS

FLANGER

PHASER

DEESSER

DELAY

REVERB

SPREAD

COMPRESSOR

LIMITER

Three engines

What Reverse King 3 does

3 reverse engines

length and refresh

Triggers, fire and freeze

The 24-effect rack

The timeline screen

250 presets

Three analog units

align: Live and Locked

daw sync

Sweeps

Sidechain capture

A/B, undo, redo and MIDI Learn

Inside the plugin

gate

pump

fade

lopass

hipass

telephone

saturation

distortion

exciter

bitcrusher

lofi

vinyl

vibrato

tremolo

tapesim

chorus

flanger

phaser

deesser

delay

reverb

spread

compressor

limiter

Every feature