InhaleReverse reverb effect · a swell that rises into every note and stops on it
The only reverse reverb you'll ever need to breathe a swell into every word, on the beat.
The reverse reverb effect in one insert: every note and every word is breathed in by its own reversed reverb, the swell stopping exactly on it. No reversing, bouncing or dragging; SWELL in note values or milliseconds, SPACE, TONE, and your DAW lines it all up.
- Use it on 5 computers per copy
- Lifetime updates
- 90-day money-back guarantee
- Download link in minutes
- VST3, AU and AAX, Windows and macOS
- Try it free
Formats and DAWs
Windows 10 and 11 (64-bit): VST3 and AAX
macOS 11 or later: VST3, AU and AAX
Works in any 64-bit DAW that loads VST3, AU or AAX plug-ins.
Licence
Use it on up to five of your own computers per copy you buy. Yours for good, no subscription. Unlock it with your email and a six-digit code, no dongle and no password. It checks in now and then and works offline in between.
Delivery
Download links by email within about five minutes, and always in your account under Downloads.
Hear the difference
The same dry track, without and with Inhale.
Vocal phrases with a reverse swell
A dry male soul lead · Init (a half-note swell into every phrase, MIX 30 %)
Pop chorus, phrase inhale
A dry female pop chorus · Vocal / Phrase Inhale
Snare inhale on 2 and 4
A dance drum loop · Drums / Backbeat Inhale
Guitar chords, shoegaze wall
Dry electric guitar chords · Wash / Shoegaze Wall
Short breath on a male lead
A dry male pop-rock verse · Vocal / Short Breath (a quarter-note swell)
Every clip is level-matched, so the difference you hear is tone, not volume.
Inhale in action
Why Inhale
No reversing, no bouncing
The by-hand method is five steps: reverse, add a reverb, bounce, reverse again, line it up. Inhale does it live, on any track, and you can change your mind at any time.
Every note gets its swell
Wherever a word falls, it gets the whole swell, rising into it and stopping exactly on it. LATENCY COMP has your DAW line it up for you.
On the beat, or free
SWELL counts in note values at your song's tempo, from a 1/8 triplet to 2 bars, or in milliseconds from 100 ms to 4 seconds. The reverb behind it follows.
Swell. Space.
Two big knobs do the work: how far ahead of each note the swell begins, and the hall it rises out of.
- VST3 · AU · AAX
- Windows and macOS
- Tempo-synced
- 14 presets
The reverse reverb effect
- Every note, the whole swell. Wherever a word falls, its reversed reverb rises into it and stops exactly on it.
- On the beat. SWELL from a 1/8 triplet to 2 bars at your tempo, or 100 ms to 4 seconds.
- Behind the voice. TONE darkens the swell alone; the dry is never touched.
- Vocals, drums, guitars. From a quick breath before a line to a long shoegaze wall.
- SWELL with SYNC (note values or milliseconds), SPACE (medium to long hall) and TONE (600 Hz to 16 kHz).
- LATENCY COMP, MIX, IN and OUT with meters, and a click-free ENGAGE.
- 14 factory presets and your own preset files; A/B, undo and redo, MIDI Learn on every control; a window from 75 to 200 %; the full manual.
SWELL
Rises into the word. Stops right on it.
Set the swell in note values or milliseconds: the reversed reverb fills exactly that time before every note.
What Inhale does
Every control has one job: the reverse swell you hear in your head, faster.
SWELL
How far ahead the swell begins
From a 1/8 triplet to 2 bars at your song's tempo, 1/2 by default (1 second at 120 BPM). The reverb behind it is set to fill that time: 1.2 times the swell, 1.5 to 5 seconds.
SYNC
On the beat or free
Lit, SWELL counts in note values at your DAW's tempo; off, it is a time from 100 ms to 4 seconds. The knob shows the time either way.
SPACE
From a medium hall to a long one
A medium hall with its early reflections apart, up to a large, smooth hall, which rings longer and rises from further back. The line under the knob names it: SMALL, MEDIUM, LARGE or LONG HALL.
TONE
Sit the swell behind the voice
A low-pass on the swell alone, from 600 Hz to 16 kHz; 70 % is about 6 kHz. The dry sound is never filtered.
LATENCY COMP
Your DAW lines it up
On, Inhale reports one SWELL of latency and your DAW plays everything that much earlier, so every swell lands before its note. Off, zero latency for singing and playing through it live.
Every note, the whole swell
Wherever a word falls
Inhale plays the hall's own response backwards, so every note gets the whole swell, ending on it, whether it falls on the beat or between.
MIX
From a breath to a wall
The swell against the dry, equal power. The default 30 % sits the swell where producers' own reverse-reverb vocals do; 100 % is the swell alone, like a bounced track.
IN and OUT
Gain where you need it
Input and output gain, -24 to +24 dB, with level meters on both, and a safety limiter on the swell.
14 sourced presets
Start from settings that work
Vocal inhales and rises, long washes and a shoegaze wall, snare swells on the backbeat, dark and open tones, and a free three-second rise, every one level-matched to the dry.
Click-free ENGAGE
Nothing moves in time
Bypass crossfades in 20 ms and keeps the same delay, so switching never shifts your track.
A face that breathes
See the swell rise
Lilac mist is drawn into the microphone as each swell rises and drifts back out after the note; the microphone's head glows with the output.
Inside the plugin
The Inhale window: two big knobs, TONE, SYNC and LATENCY COMP.
Every feature
Everything in Inhale, down to the smallest switch.
35 features
The swell
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SWELL
How far ahead of each note the swell starts: 1/8 T to 2 bars, or 100 ms to 4 s
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SYNC
Note values at your song's tempo, or milliseconds
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SPACE
A medium hall with early reflections up to a long, smooth hall
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TONE
Darkens the swell alone, 600 Hz to 16 kHz
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Decay that follows
The reverb behind the swell always fills its time
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The whole swell, every note
Ends exactly on each note, on the beat or between
Mix, output and timing
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LATENCY COMP
Your DAW puts every swell before its note; off for zero latency
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MIX
The swell against the dry, equal power; 30 % by default
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Level-matched presets
Every preset within 1 LU of the dry on real vocals
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Safety limiter
The swell never runs away, even on 2-bar washes
Workflow and control
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A/B compare and A>B
Two complete settings, switch in one click
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Undo and redo
Step back and forward, or press Ctrl+Z
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MIDI Learn
Take complete control of your workflow: right-click any control, move a knob
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Host automation
Automate every control from your DAW
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ENGAGE
Click-free bypass, to hear the before and after
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IN and OUT meters
See the level going in and coming out at a glance
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Tooltips
Every control explains itself as you point at it
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Resizable window
75 to 200 %, and the size you pick is remembered
Presets
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14 factory presets
Starting points built from real settings producers use
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Previous and next arrows
Audition presets one click at a time
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Save your own
Keep your settings as .reversereverbpreset preset files
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Open presets folder
Back up or share your presets in one click
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Reset to default
Back to a clean start in one step
Performance
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Light on CPU
About 3 to 4.5 % of one core
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Mono or stereo
On a vocal, a snare, a guitar or a send
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Tempo changes followed
The swell and its latency move with your song
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Audio-reactive face
The mist breathes in with the swell; the microphone glows
Licence and compatibility
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VST3 and AAX, Windows 7 SP1 or later
Loads in any 64-bit Windows DAW with VST3 or AAX
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VST3, AU and AAX, macOS 10.13 or later
Loads in any Mac DAW with VST3, AU or AAX, Intel or ARM
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5 computers per copy
Studio, laptop and more on one licence
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Email and code unlock
No dongle, no password, no extra app
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Works offline
No internet needed between check-ins
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Check for updates
From the plugin's menu; nothing installs without asking
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Lifetime updates
Every future update included
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Platinum priority support
Questions answered by the people who build it
How Inhale compares
The whole reverse reverb trick in one insert, with none of the bouncing.
| Inhale | Typical reverse reverb plugins | |
|---|---|---|
| Working live | Live on the insert, on every note | Often capture a clip, then drag it out as audio |
| Changing your mind | Turn a knob | Capture and drag again |
| Every note | The whole swell, ending on the note | Often cut short by where the note falls |
| Timing | SWELL in note values or milliseconds | Often a length to set by eye |
| Placement | LATENCY COMP: your DAW lines it up | Often slid by hand on the timeline |
| The reverb | Its length follows SWELL | Set separately |
| Controls | Two big knobs, TONE and SYNC | Often a full reverb with one reverse switch |
| Try-and-compare | A/B, A>B, undo and redo | Often missing |
| Hardware control | MIDI Learn on every control | Often host automation only |
| Licence | 5 computers per copy, no dongle, works offline | Often fewer activations, or a dongle |
| Updates | Lifetime updates included | Often paid upgrades |
"Typical" describes what we commonly see in this category; it does not describe any particular product. Inhale facts are from the plugin and its manual, October 2026.
What you get
Vox Samples
90-day money back · Thank you
Specs and system requirements
- Formats
- VST3 and AAX on Windows; VST3, AU and AAX on macOS
- Operating system
- Windows 7 SP1 or later, 64-bit; macOS 10.13 or later, universal (Intel and ARM)
- Host
- Any 64-bit DAW that loads VST3, AU or AAX plug-ins
- Channels
- Mono or stereo
- Sample rates
- Whatever your session runs at
- Latency
- One SWELL with LATENCY COMP on (1 s at the default and 120 BPM), compensated by your DAW; 0 with it off
- Swell
- 1/8 T, 1/8, 1/8 D, 1/4 T, 1/4, 1/4 D, 1/2 T, 1/2, 1/2 D, 1 bar or 2 bars at the host's tempo (1/2 default); or 100 ms to 4 s
- Reverb
- Decay 1.2 times the swell, 1.5 to 5 s, scaled 0.85 to 1.4 times by SPACE: 1.25 to 6 s in all
- Space
- A medium hall with early reflections (0 %) to a long, smooth hall (100 %); 45 % default
- Tone
- Low-pass on the swell only, 600 Hz to 16 kHz (about 6 kHz at the default 70 %)
- Presets
- 14 factory presets; your own as .reversereverbpreset files
- Tail
- Reported to your DAW: one SWELL plus 0.1 s, 1.1 s at the default and 120 BPM
- Window
- 960 x 600 at 100 %, resizable from 75 to 200 %
- MIDI
- MIDI Learn from any controller routed to the track
- Licence
- 5 computers per copy you buy. Unlock with your email and a code we email you. Checks in now and then and works offline in between.
- Internet
- Needed once to unlock, then for the occasional check-in
90Day money-back guarantee
Our guarantee
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90-day money-back guarantee
Not for you? Email contact@voxsamples.com within 90 days for a full refund.
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5 computers per copy
Use it on up to five of your own computers per copy you buy, and move it yourself from the plugin's Licence menu.
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Lifetime updates
Every future update and upgrade of Inhale, included.
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Platinum priority support
A real person at contact@voxsamples.com, first in line.
Try Inhale free
The whole plugin, with the same sound as the full version and no time limit. It goes silent for a moment every few seconds; the full version never does.
Windows and macOS installers in one download. Like what you hear? Get the full version on this page, with a 90-day money-back guarantee.
Questions
How do I get the reverse reverb vocal?
Put Inhale on the vocal and press play: Init already breathes a half-note swell into every phrase, stopping on the first word. Vocal / Short Breath is quicker, Vocal / Long Rise longer, and Vocal / Swell Only gives you the swell alone for its own track.
How can the swell come before the note?
With LATENCY COMP on, Inhale tells your DAW it is one SWELL late, and your DAW's delay compensation plays everything that much earlier. The swell then lands in the time before each note and stops on it, with no dragging.
Can I sing or play through it live?
Switch LATENCY COMP off: there is no latency then, and each swell follows its note instead of leading into it. Switch it back on to mix.
Does it work on drums and guitars?
Yes. Drums / Backbeat Inhale sucks a quarter-note swell into every snare on 2 and 4, and Wash / Shoegaze Wall raises guitar chords out of a long, dark reversed wash.
Does it work in every DAW?
Any DAW that compensates plug-in latency lines the swell up. AAX hosts compensate at most 16,383 samples on a track (341 ms at 48 kHz): there, use a short SWELL, render the swell offline, or slide a Swell Only copy one SWELL earlier.
Does it work in my DAW?
Any 64-bit DAW that loads VST3, AU or AAX plug-ins, on Windows 7 SP1 or later or macOS 10.13 or later. There is no standalone app.
How many computers can I use it on?
Up to five of your own for each copy you buy. To move it, deactivate it in the plugin on the old computer and unlock it on the new one.
Does it need the internet?
Once, to unlock it with the code we email you. After that it checks in now and then and works offline in between.
Is there a manual?
Yes. The full manual explains every control, every preset and the menus, with tips. It opens from the help key (?) in the plugin's top bar, and lives at https://voxsamples.com/inhale-reverse-reverb-effect-manual.
What if it's not for me?
Request a refund from your account within 90 days.
Founder's Story
"When COVID hit, I finally had time to dive into music production—only to discover I was missing the right tools. The plugins I tried were clunky, overloaded with unnecessary features, and killed my vibe with endless tweaking. I knew there had to be a better way.
So, with my engineering background, I started making free and simple audio plugins for my producer friends. They loved them! That’s when I set out on a mission to create plugins that save you time, streamline your workflow, and keep your creativity flowing."
- Ryan Svensson (Founder & CEO)
Every reverse swell you've heard. One insert.
A reversed reverb that rises into every note and stops on it, on the beat, with no reversing or bouncing.
$42.51 AUD常规价格 $141.74 AUD70% off
- 90-day money back
- Five computers
- Lifetime updates
Pairs with
Inhale Reverse Reverb Effect
$42.51 AUD常规价格 $141.74 AUD70% off