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VS-GB glues the mix. Stutter Master 2 chops it into the drop.

Stutter Master 2 Beat Repeater Plugin

Stutter Master 2 Beat Repeater Plugin

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VS-GB by Vox Samples, the console bus compressor plugin, pictured as its front panel: a light-grey slim rack unit with a gain reduction meter, blue THRESHOLD, ATTACK, RATIO, RELEASE and MAKE-UP knobs and the COMPRESSOR IN key.

VS-GBConsole bus compressor plug-in

Glue the bus.

A console bus compressor: stepped attack, ratio and release with Auto, for a mix that locks together and leans forward.

$43.03 AUD常规价格 $143.48 AUD70% off
  • Use it on 5 computers per copy
  • Lifetime updates
  • 90-day money-back guarantee
  • Download link in minutes
  • VST3, AU and AAX, Windows and macOS
  • Try it free
Formats and DAWs

Windows 10 and 11 (64-bit): VST3 and AAX
macOS 11 or later: VST3, AU and AAX
Works in any 64-bit DAW that loads VST3, AU or AAX plug-ins.

Licence

Use it on up to five of your own computers per copy you buy. Yours for good, no subscription. Unlock it with your email and a six-digit code, no dongle and no password. It checks in now and then and works offline in between.

Delivery

Download links by email within about five minutes, and always in your account under Downloads.

6ratios, 1.5:1 to 10:1
5release settings, Auto included
10controls beyond the panel
0 mslatency at QUALITY 1x

Why VS-GB

01

Glue in five knobs

THRESHOLD, ATTACK, RATIO, RELEASE and MAKE-UP, stepped where they should be. The mix locks together and leans forward.

02

Auto release

It follows the music: quick on drum hits, slow on sustained chords.

03

Ten controls beyond the panel

Parallel MIX, a sidechain high-pass, detector EQ, a transient detector, TURBO and transformer colour, with QUALITY 2x for clean work when it is pushed.

Close-up of the VS-GB panel: the gain reduction meter, the blue THRESHOLD, ATTACK, RATIO, RELEASE and MAKE-UP knobs with their printed settings, and the COMPRESSOR IN key, under the line "Five knobs that finish a mix".

Five knobs that finish a mix

Two or three dB of gain reduction at 2:1 or 4:1, attack 10 and release Auto, and the drums punch through while everything else locks together.

  • VST3 · AU · AAX
  • Windows and macOS
  • 0 ms latency at 1x

The console bus compressor

The console bus compressor that makes a mix sound finished: glued, punchy and forward.

A mix can have every part right and still sound like a pile of tracks. VS-GB on the mix bus pulls them into one record: two or three dB of gain reduction at 2:1 or 4:1, attack 10 and release Auto, and the drums punch through while everything else locks together.
  • Glue in five knobs. THRESHOLD, ATTACK, RATIO, RELEASE and MAKE-UP, stepped where they should be.
  • Auto release. Follows the music: quick on drum hits, slow on sustained chords.
  • Ten controls beyond the panel. Parallel MIX, a sidechain high-pass, detector EQ, a transient detector, TURBO and transformer colour.
  • Clean when it works hard. QUALITY 2x oversamples the gain stage.
Everything inside
  • THRESHOLD; ATTACK .1, .3, 1, 3, 10 or 30 ms; RATIO 1.5, 2, 3, 4, 5 or 10 to 1; RELEASE .1, .3, .6, 1.2 s or Auto; MAKE-UP; COMPRESSOR IN; a meter in dB of compression.
  • ADVANCED: MIX, a sidechain high-pass (20 to 500 Hz), detector BOOST, MID and HIGH, TRANS MIX and TRANS TILT for a transient detector, TURBO, XFMR (the transformers' saturation) and QUALITY 1x or 2x.
  • A display unit you can hide: gain reduction readings, six seconds of gain reduction history, the live transfer curve and a needle meter.
  • One analog unit, built in: the small part tolerances of a single unit, each side its own, in every setting.
  • Presets you save and load, with arrows to step through them; A/B, undo and redo, MIDI Learn on every control; a window from 75 to 200 %.
  • Zero latency at QUALITY 1x (64 samples at 2x, reported to your DAW).
Formats: VST3 and AAX on Windows 10/11 64-bit; VST3, AU and AAX on macOS 11 or later. Licence: five of your own computers per copy you buy.
90-day money-back guarantee: not for you? Request a refund from your account within 90 days.
The VS-GB ADVANCED strip: MIX, SC HPF, BOOST, MID, HIGH, TRANS MIX and TRANS TILT knobs with their readings, the TURBO and XFMR keys and the QUALITY 1x / 2x switch, under the line "Ten controls beyond the panel".

ADVANCED

Ten controls beyond the panel

MIX, SC HPF, BOOST, MID, HIGH, TRANS MIX, TRANS TILT, TURBO, XFMR and QUALITY: decide what the compressor hears and how it colours.

What VS-GB does

Every control on the panel and in the ADVANCED strip, and what it does for the mix.

THRESHOLD and MAKE-UP

Set the glue, keep the level

THRESHOLD from -15 to +15 on the dial: turn it down for more. MAKE-UP adds up to 15 dB back.

RATIO

Glue or limit

1.5, 2, 3, 4, 5 or 10 to 1: 2:1 and 4:1 glue a mix, 10:1 limits.

ATTACK and RELEASE, with Auto

Let the drums punch through

Attack .1, .3, 1, 3, 10 or 30 ms; release .1, .3, .6 or 1.2 s, or Auto, which is quick on hits and slow on sustained chords.

MIX and SC HPF

Parallel glue without pumping

Blend the dry mix back in. The sidechain high-pass, 20 to 500 Hz, keeps the kick and bass from pumping the mix.

Detector EQ and transients

Decide what it reacts to

BOOST drives the detector harder, MID (1.6 kHz) and HIGH (5 kHz) shape what it hears, and TRANS MIX and TRANS TILT blend in a transient detector.

TURBO, XFMR and QUALITY

Grip, colour and clean work

TURBO links the two channels' detectors for a tighter grip. XFMR puts the transformers' saturation in the path. QUALITY 2x oversamples the gain stage, at 64 samples of latency.

The display unit

Glue you can see

Gain reduction readings, six seconds of gain reduction history, the transfer curve measured from the unit at your settings, and a needle meter. Hide it when you want just the panel.

One analog unit, built in

One unit's character, always on

The small part tolerances of a single unit, each side its own, in every setting. No selector: it is always this one unit.

Inside the plugin

The whole VS-GB window: the panel, the display unit and the ADVANCED strip.

The whole VS-GB plugin window after a few seconds of a sung vocal: the slim light-grey panel with the gain reduction meter, THRESHOLD, ATTACK, RATIO, RELEASE and MAKE-UP and the COMPRESSOR IN key; below it the display unit with the gain reduction readouts, the gain reduction history, the transfer curve and a needle meter, and the ADVANCED strip with MIX, SC HPF, BOOST, MID, HIGH, TRANS MIX, TRANS TILT, TURBO, XFMR and QUALITY.

Every feature

Everything in VS-GB, down to the smallest switch.

32 features

The panel

  • THRESHOLD

    -15 to +15 on the dial: turn it down for more glue

  • ATTACK

    .1, .3, 1, 3, 10 or 30 ms

  • RATIO

    1.5, 2, 3, 4, 5 or 10 to 1

  • RELEASE

    .1, .3, .6 or 1.2 s, or Auto that follows the music

  • MAKE-UP

    Up to 15 dB back after the compressor

  • COMPRESSOR IN

    Switch the compressor in and out

  • dB COMPRESSION meter

    How much it is pulling down, 0 to 20 dB

  • One analog unit, built in

    The small part tolerances of a single unit, each side its own, in every setting

Advanced

  • MIX

    Parallel compression without a send

  • SC HPF

    A 20 to 500 Hz high-pass so kick and bass pump the mix less

  • BOOST

    Drives the detector harder on dense material

  • MID

    More or less reaction to vocals and snares, at 1.6 kHz

  • HIGH

    Turn it down and cymbals and hats drive it less, at 5 kHz

  • TRANS MIX

    Blends a transient detector into the sidechain

  • TRANS TILT

    Points the transient detector at the attacks or the tail

  • TURBO

    Links the detectors for a tighter, more aggressive grip

  • XFMR

    The input and output transformers' saturation, in or out

  • QUALITY 1x or 2x

    2x oversamples the gain stage: clean when it works hard

Display

  • Gain reduction readouts

    Gain reduction with peak, input and output readings

  • Gain reduction history

    Six seconds of the grab and release over the waveforms

  • Transfer curve

    Measured from the unit at your settings, with a live dot

  • Needle meter

    Reads IN, GR or OUT

  • Hide the display

    Fold the display unit and ADVANCED strip away; open by default

Workflow

  • Presets

    Save and load your own, and step through them with the arrows

  • A/B

    Two complete settings, one click apart

  • Undo and redo

    Step back and forward through your moves

  • MIDI Learn

    Right-click any control to map it to your controller

  • Window from 75 to 200 %

    Size it to your screen

Licence and compatibility

  • VST3 and AAX, Windows 10 and 11

    Loads in any 64-bit Windows DAW with VST3 or AAX

  • VST3, AU and AAX, macOS 11 or later

    Loads in any Mac DAW with VST3, AU or AAX

  • Zero latency at QUALITY 1x

    64 samples at 2x, reported to your DAW

  • Five of your own computers per copy you buy

    Studio, laptop and more on one licence

How VS-GB compares

Bus glue, with the controls most leave out.

How VS-GB compares
VS-GB Typical bus compressor plugins
RatiosSix, from 1.5:1 to 10:1 Often fewer
Parallel blendMIX built in Not on every one
Sidechain filterHigh-pass, 20 to 500 Hz A fixed filter, or none
Detector EQBOOST, MID and HIGH in the detector Rarely offered
Transient detectorTRANS MIX and TRANS TILT Rarely offered
Transformer colourXFMR, in or out Often missing
OversamplingQUALITY 1x or 2x Fixed, or not offered
Seeing the glueGain reduction history and a measured transfer curve A needle meter only
Try-and-compareA/B, undo and redo Often missing
Hardware controlMIDI Learn on every control Often missing

"Typical" describes what we commonly see in this category; it does not describe any particular product. VS-GB facts are from the plugin and its manual, October 2026.

What you get

Vox Samples

Black Friday drop · 07 OCT 2026

VS-GB, full version$143.48 AUD
VST3 and AAX for Windows 10 and 11 (64-bit); VST3, AU and AAX for macOS 11 or laterIncluded
THRESHOLD, ATTACK, RATIO, RELEASE with Auto, MAKE-UP, COMPRESSOR IN and the dB COMPRESSION meterIncluded
ADVANCED: MIX, SC HPF, BOOST, MID, HIGH, TRANS MIX, TRANS TILT, TURBO, XFMR and QUALITY 1x or 2xIncluded
A display unit: gain reduction readings and history, the transfer curve and a needle meterIncluded
Your own presets, A/B, undo and redo, and MIDI Learn on every controlIncluded
Licence: five of your own computers per copy you buyIncluded
Lifetime updatesIncluded
Platinum priority supportIncluded
90-day money-back guaranteeIncluded

Value$143.48 AUD
You save$100.45 AUD
Total$43.03 AUD

90-day money back · Thank you

Specs and system requirements

Formats
VST3 and AAX on Windows; VST3, AU and AAX on macOS
Operating system
Windows 10 and 11, 64-bit; macOS 11 or later
Host
Any 64-bit DAW that loads VST3, AU or AAX plug-ins
Channels
Stereo or mono
Latency
0 samples at QUALITY 1x; 64 samples at 2x, reported to your DAW
Controls
15: 5 on the panel and 10 in ADVANCED, plus COMPRESSOR IN
Attack
.1, .3, 1, 3, 10 or 30 ms
Ratio
1.5, 2, 3, 4, 5 or 10 to 1
Release
.1, .3, .6 or 1.2 s, or Auto
Make-up
0 to 15 dB
Presets
Save and load your own
Window
1480 × 576 with the display open, 1480 × 256 with it hidden; 75 to 200 %
Licence
Five of your own computers per copy you buy

90Day money-back guarantee

Our guarantee

  • 90-day money-back guarantee

    Not for you? Email contact@voxsamples.com within 90 days for a full refund.

  • 5 computers per copy

    Use it on up to five of your own computers per copy you buy, and move it yourself from the plugin's Licence menu.

  • Lifetime updates

    Every future update and upgrade of VS-GB, included.

  • Platinum priority support

    A real person at contact@voxsamples.com, first in line.

Questions

What does VS-GB do?

It is a console bus compressor. On the mix bus it pulls a pile of tracks into one record: glued, punchy and forward.

Which sources does it suit?

The mix bus first: two or three dB of gain reduction at 2:1 or 4:1, attack 10 and release Auto is the place to start. It works the same way on any group that should sound like one, such as a drum bus.

How is it different from a plain compressor?

Its attack, ratio and release are stepped where a mix needs them, Auto release follows the music, and ten controls beyond the panel let you blend it in parallel, filter and shape the detector, add a transient detector and transformer colour.

What does "one analog unit, built in" mean?

VS-GB carries the small part tolerances of one single unit, each side its own, in every setting. There is no selector and nothing to switch: it is always that one unit.

Does it work in my DAW?

Any 64-bit DAW that loads VST3, AU or AAX plug-ins: VST3 and AAX on Windows 10 and 11, VST3, AU and AAX on macOS 11 or later.

Does it add latency?

None at QUALITY 1x. QUALITY 2x oversamples the gain stage and adds 64 samples, which it reports to your DAW so everything stays in time.

What if it's not for me?

Request a refund from your account within 90 days: the 90-day money-back guarantee.

Founder's Story

"When COVID hit, I finally had time to dive into music production—only to discover I was missing the right tools. The plugins I tried were clunky, overloaded with unnecessary features, and killed my vibe with endless tweaking. I knew there had to be a better way.

So, with my engineering background, I started making free and simple audio plugins for my producer friends. They loved them! That’s when I set out on a mission to create plugins that save you time, streamline your workflow, and keep your creativity flowing."

- Ryan Svensson (Founder & CEO)

Last call

Glue the mix. Make it a record.

Five knobs and Auto release that pull every track into one finished mix.

VS-GB by Vox Samples, the console bus compressor plugin, pictured as its front panel: a light-grey slim rack unit with a gain reduction meter, blue THRESHOLD, ATTACK, RATIO, RELEASE and MAKE-UP knobs and the COMPRESSOR IN key.

$43.03 AUD常规价格 $143.48 AUD70% off

  • 90-day money back
  • Five computers
  • Lifetime updates

Pairs with

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VS-GB Console Bus Compressor Plugin

$43.03 AUD常规价格 $143.48 AUD70% off