Just released
56 plugins
Fresh tools for your next session, newest first: 12 new plugins that each do one job well, and our latest creative and low-end effects.
Turn a vocal, a synth or a guitar into an enormous, drifting space in one insert: tails from 2 seconds to a minute or forever, an octave-up shimmer, FREEZE for endless pads and a DUCK that keeps the vocal in front. Zero latency.
Put a vocal, a drum loop or a whole track inside a real bathroom in one insert: three measured rooms, a DOOR knob for the music at the party heard from inside the bathroom, and TILE from soft towels to ringing porcelain. Zero latency, every preset level-matched.
Make any sound break up like a failing connection: signal loss on a phone, radio or TV, a skipping CD, a tape dropout. The audio cuts out at uneven moments with the real noise of a link going down, repeatable in every bounce, on the beat or on a key you hold.
Put any track on an old record in one insert: crackle that rides in the groove and follows the music, a worn stylus, the slow wobble of a turning platter, the sound of six decades from 1930 to modern, and a one-press spin-down that lands in time.
Make the slowed + reverb version of any song inside your DAW: Moonlight really plays it slower and lower, like a record played slow, then puts it in a long, dreamy hall. No online converter, no bouncing back and forth.
Put the classic wobble bass on any bass, synth or loop in one insert: a resonant filter that opens and closes on your song's grid, grit that growls as it opens, and the sub held steady underneath. No synth patching, no LFO routing.
Turn any vocal into a bullhorn in one insert: pick the horn from a wide PA to a narrow wartime loudspeaker, dial the honk, push it into crunch, and bounce it off the walls until it rings and squeals. Zero latency.
Turn any vocal into a demon in one insert: drop it below human range, give it a bigger throat, add a rumble an octave under, a growl that wobbles and talks in time with your song, and a dark cavern. No chain to build.
Turn any vocal into a metallic robot in one insert: stack up to eight voices, tune the robot to your song's key or play it from MIDI, then filter it and put it in a room, a plate or space. No carrier synth, no routing.
Talk, rap or narrate in your own videos without sounding like yourself. Hooded Anonymous Voice moves your pitch and your voice's size in opposite directions, so it comes out as a different voice with every word clear, and none of your real voice is blended back in.
A VCA compressor: threshold in volts, ratio to infinity, and a fast, clean grip for kicks, bass and vocals.
An air EQ: a shelf from 2.5 to 40 kHz and five broad bands that open a vocal or a master without harshness.
A creative compressor: negative ratios, a tilt EQ in the colour stage and a gain reduction limit, from smooth to wild.
A solid-state optical compressor: opto smoothness with a faster response and a clearer top, in two knobs.
A tube optical leveler: two knobs that hold a vocal, a bass or a mix at one even, musical level.
A console bus compressor: stepped attack, ratio and release with Auto, for a mix that locks together and leans forward.
A FET compressor and limiter: microsecond attack, four ratios and every button in, for vocals that cut and drums that snap.
A console channel EQ: four colour-coded bands, sweepable mids, filters and a curve you can drag over the live spectrum.
A psychoacoustic enhancer: deep or tight bass, open mids and highs and a wider image, without simply turning up EQ.
A variable-mu tube limiter: a wide, soft knee and six time constants that pull a bus or a master together without a trace.
A tube program limiter: drive it for density, pick a ratio for the hold, and vocals and bass come out warm and steady.
A tube saturation and harmonics processor: tube warmth and density plus overtones at 2 to 10 kHz, in two knobs.
VS-L2A, VS-L3A, VS-F76, VS-T76, VS-V160, VS-N1, VS-GB, VS-M66, VS-E4, VS-Q4, VS-T12 and VS-E97: compressors, limiters, EQs, saturation and an enhancer, each built to do one job well with a few controls. Each one is also in its category: dynamics and compression, EQ and filtering, saturation and distortion or mastering.
Before the 12 came F-That Fourier for subs, pads and drones made from any sample, Rumbler for 808s played from MIDI, Ducker for kick and bass that stop colliding, and Crazy S for filter sweeps and vowel moves you draw instead of automating.
Browse every plugin by what you need it for: creative effects, dynamics and compression, EQ and filtering, reverb, saturation and distortion, pitch and bass and low end, or see all our plugins.
Every copy you buy runs on up to five of your own computers.
Most of our paid plugins have a free demo: the whole plugin, with no time limit, that goes silent for a moment every few seconds. Look for the free demo on the plugin's page.
Our plugins run on Windows and macOS, in DAWs that load VST3 or AU plug-ins, and many also come as AAX for Pro Tools. Each plugin's page lists its exact formats and system requirements.
Up to five of your own computers for each copy of a plugin you buy.
Your plugins' download links arrive by email within about five minutes, and they are always in your account under Downloads.
Yes: every plugin comes with a 90-day money-back guarantee. Within 90 days of buying, email contact@voxsamples.com for a full refund.
Yes. Every update of a plugin you own is free: download the newest version from your account under Downloads.
